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Cinema as a Reflection of Life: Moving Stories from "Eurasia" Participants

Cinema as a Reflection of Life: Moving Stories from "Eurasia" Participants
Фото: eurasiaiff.info 28.11.2024 17:30 34

Today’s press conference with participants on Day Three of the 17th Eurasia International Film Festival demonstrated that the most impactful films are those that delve into the core of human experience: memory, loyalty, and hope, El.kz reports.

Ismael Blanco, the cinematographer of The Land of Our Mothers and a competitor in the International Competition, highlighted the plight of Spain’s disappearing rural villages, where life resembles a battle for survival. His film captures striking contrasts – between desolate fields and bustling cities, between a fading past and a comfortable present.

“The residents of these villages are non-professional actors. Their faces and accents tell stories that could never be fabricated,” he explained.

Dastan Japar Ryskeldi of Kyrgyzstan entered Deal at the Border into the competition for Central Asian and Turkic World films, drawing inspiration from real-life events.

“My brother fell into slavery. This was back in 2000, but it’s still happening today. We must speak out – on behalf of those who cannot protect themselves,” the director emphasized.

His film is a heartfelt plea to the people of Central Asia, where the issue of slavery remains painfully relevant.

Tatar filmmaker Salavat Yuzeev, introducing his work The Lovers’ Mountain, shared that the story revolves around a woman determined to protect a mountain tied to her vow of love.

“For her, this mountain is more than just nature. It’s a symbol of her devotion and strength of spirit,” he remarked.

Another deeply emotional entry in the Central Asian and Turkic World competition is Joqtau.

The film captivated the audience, drawing a packed theater with lines of people eager to see it. Director Aruan Anartai dedicated the film to his personal grief.

“While writing the script, I was still mourning a loss. Joqtau is not just a song of sorrow – It’s a reflection of our culture, a way for us to communicate with those who are no longer with us,” he shared. The film beautifully intertwines personal pain with the grandeur of steppe traditions.

The Eurasia Film Festival continues to inspire and unite audiences with its powerful storytelling. Don’t miss the chance to experience these remarkable films – the screening schedule is available on the festival’s website: https://eurasiaiff.info/.

The festival is founded and traditionally organized by the Ministry of Culture and Information of the Republic of Kazakhstan, with the Kazakhfilm Studio named after Shaken Aimanov entrusted with the direct organization of the event, with the support of the Almaty City Akimat.

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